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Humor is essential to me in design – I love it when something comes alive, when it starts moving. That's why I've been learning motion graphics: After Effects, and more recently, Cavalry.
Photography's part of that too – it's another way I keep training my eye for composition and light.
In the age of AI, I think human touch matters more than ever – a bit of imperfection, some handwriting, real texture. That's what makes work feel alive.